27 January 2012

THIS IS HOW WE DO IT

Prophet #22 is barreling to finer comic book shops everywhere in a few short weeks, and it's actually better than Brandon Graham and Simon Roy's first issue.

I could rattle off a list of reasons why, but since Simon decided to do a new cover for this issue that no one's seen yet, I figured I'd let that and a few of the pages speak for themselves.





25 January 2012

DESPERATE BUT NOT SERIOUS

I got an email from a prominent comic book retailer a few days back. He wanted to let me know that more and more of his customers are checking out Image's 2012 books, and how excited he was for the year to come. He predicted Brian K. Vaughan and Fiona Staples' Saga would be likely be one of, if not the, biggest selling books of the year in his store.

It was an inspirational and uplifting message, but his kind words about Image's ongoing commitment to creating good comics – good new comics – only barely masked a seething disappointment with Marvel and DC. And not just on his part, but his customers' as well. He said readers were tired of being force-fed the same stories, as though nobody recognized they were regurgitating the same ideas – recent ones, even – again and again. He praised Image's commitment to maintaining a fair cover price on so many of our books, whilst Marvel and DC paid lip service to "holding the line" at $2.99. Worse, he bemoaned the increased frequency of Marvel's books, noting that readers might be excited by that if the quality was there, but concluding it simply wasn't.

That last part really made a dent in my thinking, because it's not the first time I've heard or read comments like that from a retailer. I think everyone has noticed that Marvel has started publishing a number of their books more than once a month. They've been ramping up on this for a while, and it's something I've kind of shook my head at, because it's a desperate ploy to gain marketshare that doesn't promote sustainability on any level. It's a cash grab, pure and simple, and when you couple that with the fact so many of their books are creeping up on $3.99, I shudder to think of the long-term effects.

And I can hear you shaking your own head now. Okay, maybe I can't hear you doing that, but I can imagine the chuckling: "Desperate? Marvel is the number one publisher in comics!" – but I'll stand by my words. When DC launched their new 52 last September, Marvel didn't fight back with awesome. They fought back with the only real tool in their shed: more. They're not increasing the frequency of their books out of generosity, they're doing it to dominate the market. And in the absence of anything even resembling new, all we get is more.

I mean, they keep doing these events that are based around the same mix and match concepts: Other characters get the Hulk's powers. Other characters get Spider-Man's powers. Other characters get hammers like Thor. Now, if that recent Iron Fist image from an upcoming issue of New Avengers is any indication, a bunch of characters will be imbued with the Phoenix Force. I know DC went green by using recycled paper, but maybe Marvel's trying to recycle in other ways.

Also central to these "ideas:" Everyone vs. everyone! I poked fun at this last week, when that hilarious Avengers vs. X-Men cover image was released online, but it's the truth. Civil War, House of M, World War Hulk, Secret Invasion, Shadowland, UltimatumFear Itself, Spider-Island, X-Men: Schism, and now, Avengers Vs. X-Men. It's all-out hero on hero action in the mighty Marvel manner, again and again and again.

These are not serious creative statements. It's more like a bored child reaching into the toy box trying to find new ways to wring some meager enjoyment out of faded old playthings. The fun lasts for a little while, but you can only tell yourself something's all-new and all-different so many times before those words ring hollow. Avengers vs. X-Men wasn't a new idea when Marvel did it in 1987, and it's not a new idea now.

Ultimately, though, it doesn't matter if it's new, or even if it's good. All that matters is that it sells, which it will. But it won't sell as well as the last big "event," and I'm willing to bet the one after that (and oh, don't you just know there will be one after that...) will sell even less.

That's why I use words like "desperate" and "sustainability." These "event" books – whether they're from Marvel or from DC, and whether it's Avengers vs. X-Men or Watchmen 2  – whatever – they're just short-term fixes. They spike sales, but they don't sustain interest. And instead of seriously looking for ways to engage new or lapsed readers over the long haul, it's just more of the same – an approach as worn out and tired as the phrase "wash, rinse, repeat."

That's worrisome to a growing number of retailers, like the one referenced above, but truthfully, it should be to anyone with an interest in this industry's future. We're at juncture where we can either embrace creativity and move forward...or we can just sit where we are and chew our own tails, month-in and month-out.

Me? I've kind of lost the taste for it.

WEDNESDAY GIRL

Mélanie Laurent

23 January 2012

COMEDY

I was chatting with a friend over email the other day, about British comedy shows that ran here in the States during the early '80s. This was years before BBC America was developed, so these shows were running on PBS, and they ran them in a block that included The Benny Hill Show, Doctor In the House, The Rise and Fall of Reginald Perin, and a show I haven't thought about probably since I last saw in 1982 or so, Dave Allen At Large. These shows came on either before or after Doctor Who back then, and along with Monty Python's Flying Circus (which was aired separately for some reason; memory suggests in was only on weekends), formed my introduction to British humor.

I actually had to do a Google search for comedians missing a finger to finally recall Dave Allen's name. And then it was off to YouTube, wonderful YouTube, the repository for virtually everything knocking about the backseat of our minds, to be reminded of why I was so transfixed by his show to begin with. Comedy is different now – a bit more brusque, I think – but Dave Allen registers laughs with me. I think it's because so much of what he says is grounded in truth. What's more, itt's odd to see this stuff now, some 30 years on from my original point of contact (and even later, in terms of its original air date), and realize how much of my own sense of humor is owed to this wonderfully irreverent Irishman from the 20th century...






22 January 2012

SUNDAY'S PRETTY ICONS

Nostalgia strikes at strange times, for strange things, in strange ways: I woke up this morning longing for the comfort of my old blueberry iMac.

I actually still have it, sitting atop a bookshelf in my office at Image, but the notion of actually setting it up and using it again somehow invaded my idle thoughts again and again over the course of the day. Also, it got me thinking about just how simple and beautiful so many of Apple's computers have been.

How many of these have you had?






20 January 2012

THE QUEEN IS DEAD

There's always bad news to go with the good, and today's allotment comes as the announcement of Etta James' death at the age of 73. Somehow Aretha Franklin was crowned the queen of soul, but while I love her, too, for me, that title has always belonged to Etta James. Honestly, I really don't know how you can listen to "At Last" or "A Sunday Kind of Love" or "I'd Rather Go Blind" and think any differently. What a voice. And have you heard "Seven Day Fool," or her team-ups with Sugar Pie DeSanto, like "Do I Make Myself Clear?" She just had an amazing voice – powerful as all get out, but still capable of projecting incredible warmth and vulnerability. "Soul" just doesn't begin to describe it.

GOD SAVE THE QUEEN

I didn't notice until recently, but Manic Street Preachers' Nicky Wire and my father share the same birthdate. That date being today. The Wire is 43; my old man is somewhat older. I wish them both the best.

If you're not familiar with Nicky, he's the Manics' bassist and has written virtually all their lyrics since the disappearance of Richey Edwards in 1995. He's prone to saying whatever the fuck is on his mind – a trait I greatly admire – and he also fancies a dress every now and again.

Nicky isn't everyone's cup of tea – his lyrics, his persona, or his singing voice – but I'm a fan, and here are the top 10 reasons why, including the frequently-maligned "Miss Europa Disco Dancer." It doesn't feature a lead vocal from Nicky, but does include the refrain "brain dead motherfuckers" at the three-minute mark and is thereby okay by me...

1. Manic Street Preachers - "William's Last Words," (Journal for Plauge Lovers, 2009)
2. Manic Street Preachers - "Some Kind of Nothingness" (demo), (Postcards from a Young Man Deluxe Edition, 2010)
3. Nicky Wire - "Casual/Glam," (single b-side, "Break My Heart Slowly," 2006)
4. Nicky Wire - "Daydreamer Eyes," (free download, 2006)
5. Manic Street Preachers - "Ballad of the Bangkok Novotel," (single b-side, "Found That Soul," 2001)
6. Manic Street Preachers - "Lady Lazarus," (single b-side, "Indian Summer," 2007)
7. Nicky Wire - "Break My Heart Slowly," (I Killed the Zeitgeist, 2006)
8. Manic Street Preachers - "The Future Has Been Here 4 Ever," (Postcards from a Young Man, 2010)
9. Manic Street Preachers - "Miss Europa Disco Dancer," (Know Your Enemy, 2001)
10. Manic Street Preachers - "Failure Bound," (single b-side, "Empty Souls," 2005)